Practical guides for noticing, collecting and editing

Start with the cover guide, then work through a section at your own pace.

Start hereObserving

A one-week drawing journal

Ten minutes a day drawing the same object, for seven days, is the quickest way to learn to see it. The routine, the three things to note, and how to take the best drawing onto a print block.

Read the guide: A one-week drawing journal

Two wooden print blocks with drawn scenes beside a set of marker pens on a table.

Guides by section

Observing

Learning to see an object, a surface or the light on it before you start making.

  1. A one-week drawing journal

    Ten minutes a day drawing the same object, for seven days, is the quickest way to learn to see it. The routine, the three things to note, and how to take the best drawing onto a print block.

    2 min read

  2. Reading hard and soft light outdoors

    How to tell whether light is hard or soft before you start drawing or photographing, and what each does to shape, texture and color.

    1 min read

  3. Working by lamplight at the end of the day

    When daylight goes, a desk lamp becomes the only light on your work. A short routine for placing it, checking color and knowing when to stop.

    1 min read

All 3 in Observing

Collecting

Reference photographs, notebooks, tools and a library you can search.

  1. Build a reference library you can search in ten seconds

    One inbox, three folders, a naming rule and a weekly ten-minute review turn a pile of saved images into a reference you actually use.

    1 min read

  2. Photograph your tools as reference

    Tools and materials make good reference because they hold still. How to photograph a desk or a set of tools so the pictures are useful when you draw, repair or restock later.

    1 min read

  3. Keep field notes you can use a year later

    A field note is useful when a stranger could follow it. Four lines to write on the spot, and one to add at home.

    1 min read

All 3 in Collecting

Editing

Choosing, ordering and captioning what you made.

  1. Edit twelve frames into a sequence

    From a day of photographs to a sequence of twelve: see everything at once, make a fast first cut, choose an opening and pace the middle.

    1 min read

  2. Write captions that add information

    A caption should tell the reader something the picture cannot. A describe-then-delete method, with before and after examples.

    1 min read

All 2 in Editing

Field notes

Short notes written on the spot.

All field notes